"الصورة الشعرية في ديوان سمكة البياض لـ"محمد عادل مغناجي

Abstract

Abstract: Critical studies have been looked at the image of poetry and what it carries means and technical characteristics, and this interest is given to us a multiplicity of concept that remains difficult for the technicians, the poetic image is the imaginal production sought by the creator to mold his thoughts and meanings into lattice patterns combine and jostle within psychological and other concrete dimensions, weaving through language and emotional flow to produce a text transform the poetically distinct image of poetry as the cornerstone of the writer's work, who was involved in writing his poetry experiments, and this is what we find by the Magnaji's "whiteness fish" office which is the frequent use of metaphors And simulations in addition He is also to the intertextuality and the legends that have won and the poetry collection compensations from the beginning to the end of the aesthetic dimension of creation so that it attracts the reader and make it work to extract and decode their meanings and output slides if a new text makes the reader as a second creator after the poet.