Please use this identifier to cite or link to this item:
http://archives.univ-biskra.dz/handle/123456789/18806
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | AROUAOU Ghania | - |
dc.date.accessioned | 2021-12-01T09:40:47Z | - |
dc.date.available | 2021-12-01T09:40:47Z | - |
dc.date.issued | 2021-06-20 | - |
dc.identifier.uri | http://archives.univ-biskra.dz/handle/123456789/18806 | - |
dc.language.iso | fr | en_US |
dc.title | LA REPRESENTATION MUSICALE DANS L’ECRITURE D’AHLEM MOSTEGHANEMI LE CAS DE LES FEMMES NE MEURENT PLUS D’AMOUR | en_US |
dc.title.alternative | langues étrangères | en_US |
dc.type | Master | en_US |
Appears in Collections: | Faculté des Lettres et des Langues FLL |
Files in This Item:
File | Description | Size | Format | |
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AROUAOU_Ghania.pdf | 787,04 kB | Adobe PDF | View/Open |
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