Please use this identifier to cite or link to this item: http://archives.univ-biskra.dz/handle/123456789/26811
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dc.contributor.authorRahma Khedidja-
dc.date.accessioned2023-10-02T07:43:05Z-
dc.date.available2023-10-02T07:43:05Z-
dc.date.issued2023-
dc.identifier.urihttp://archives.univ-biskra.dz/handle/123456789/26811-
dc.description.abstractThis dissertation delves into the artistic vision behind the profanity employed by Charles Bukowski in his poetry collection, You Get So Alone At Times That It Just Makes Sense. By examining the intricate relationship between language, emotion, and social critique this study aims to elucidate the purpose and impact of profanity as a crucial component of Bukowski's poetic expression. Through a comprehensive analysis of selected poems, the research uncovers the underlying themes, linguistic strategies, and artistic intention that inform Bukowski's use of profanity. Additionally, this dissertation investigates the reception of profanity within the literary community and explores how Bukowski's distinctive approach challenges traditional notions of language and artistic boundaries. By contextualizing the profane language within Bukowski's border artistic vision, this study contributes to a deeper understanding of his unique poetic style. and its relevance in contemporary literature.en_US
dc.language.isoenen_US
dc.subjectartistic vision, profanity, Charles Bukowski, unique poetic styleen_US
dc.titlethe artistic vision behined the profanity in charles bukouski's you get alone at times that it just makessenseen_US
dc.title.alternativeLiterature and Civilizationen_US
dc.typeMasteren_US
Appears in Collections:Faculté des Lettres et des Langues FLL

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