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DC Field | Value | Language |
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dc.contributor.author | Rahma Khedidja | - |
dc.date.accessioned | 2023-10-02T07:43:05Z | - |
dc.date.available | 2023-10-02T07:43:05Z | - |
dc.date.issued | 2023 | - |
dc.identifier.uri | http://archives.univ-biskra.dz/handle/123456789/26811 | - |
dc.description.abstract | This dissertation delves into the artistic vision behind the profanity employed by Charles Bukowski in his poetry collection, You Get So Alone At Times That It Just Makes Sense. By examining the intricate relationship between language, emotion, and social critique this study aims to elucidate the purpose and impact of profanity as a crucial component of Bukowski's poetic expression. Through a comprehensive analysis of selected poems, the research uncovers the underlying themes, linguistic strategies, and artistic intention that inform Bukowski's use of profanity. Additionally, this dissertation investigates the reception of profanity within the literary community and explores how Bukowski's distinctive approach challenges traditional notions of language and artistic boundaries. By contextualizing the profane language within Bukowski's border artistic vision, this study contributes to a deeper understanding of his unique poetic style. and its relevance in contemporary literature. | en_US |
dc.language.iso | en | en_US |
dc.subject | artistic vision, profanity, Charles Bukowski, unique poetic style | en_US |
dc.title | the artistic vision behined the profanity in charles bukouski's you get alone at times that it just makessense | en_US |
dc.title.alternative | Literature and Civilization | en_US |
dc.type | Master | en_US |
Appears in Collections: | Faculté des Lettres et des Langues FLL |
Files in This Item:
File | Description | Size | Format | |
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Rahma_Khadija.pdf | 657,44 kB | Adobe PDF | View/Open |
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