Please use this identifier to cite or link to this item: http://archives.univ-biskra.dz/handle/123456789/27302
Full metadata record
DC FieldValueLanguage
dc.contributor.authorجعادي_ريان, جابر_كلثوم-
dc.date.accessioned2023-10-15T09:53:56Z-
dc.date.available2023-10-15T09:53:56Z-
dc.date.issued2023-06-19-
dc.identifier.urihttp://archives.univ-biskra.dz/handle/123456789/27302-
dc.description.abstractText thresholds are defined as everything that surrounds the text (the title and name of the author image, introduction, naturalization) and other parallel texts, they are considered a bridge connecting What surrounds the text with its content, and modern scholars have attached great importance to it, and the first of them Gerard Genet "Genet Gerard", which was credited with attracting critics Contemporaries of the need to consider the limits of the text because it is an important element in the process Creativity gives an aesthetic value and a semantic dimension to dive into the depths of the text What we tried to simplify in the first chapter of our research, to come the second chapter in which we tried Deciphering the thresholds of the novel "The Blue Collar Girl" by the Egyptian novelist Amr Abd Al-Hamid, who was able to make the thresholds of his novel a mirror that reflects what is inside the texten_US
dc.language.isoaren_US
dc.titleالعتبات النصية في رواية "فتاة الياقة الزرقاء"لعمرو عبد الحميدen_US
dc.typeMasteren_US
Appears in Collections:Faculté des Lettres et des Langues FLL

Files in This Item:
File Description SizeFormat 
جعادي_ريان.pdf2,18 MBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.