التجربة الإبداعية في شعر عامر شارف

Abstract

In our research, we addressed the creative experience of Amer Scharf's poetry. The aesthetics of linguistic formation, the aesthetics of rhetorical formation, the first section to verbal repetition ensures the repetition of the letter and the word and then the phrase. The moral repetition in it counts the totality of the tables of the content of the word and its meanings, through the repetition of the compositions and observations of the frequent assertion, the diversity and density of the vocabulary. The second is divided into the aesthetics of metaphors and analogies and then the elementary and how to get out of the ordinary from the effect of meaning and effect and attract the recipient. The aesthetics of morale-proof enhancements: From Antithesis and opposition and their effect in clarifying meaning, in addition to understanding meanings, or for verbal enhancements: alliteration and its effect in improving speech and the music bell familiar to the ear. As for citation it appears to us through the poet's religious culture: Poetry and ancestral pendants