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DC Field | Value | Language |
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dc.contributor.author | مسعودي_ابتسام | - |
dc.date.accessioned | 2023-10-15T14:40:16Z | - |
dc.date.available | 2023-10-15T14:40:16Z | - |
dc.date.issued | 2023-06-18 | - |
dc.identifier.uri | http://archives.univ-biskra.dz/handle/123456789/27344 | - |
dc.description.abstract | This research deals with the subject of the symbol and its formation in Nawafath Al-Wa' by Nawara Lahrash, where the symbol is one of the most important artistic phenomena in contemporary Arabic poetry and a means of expression that poets turned to, so they were interested in employing it and making it a service for their goals in achieving technical mastery and the ability to communicate and influence. In this research, we tried to encompass the concept of the symbol and to identify its various types, then we moved on to talk about it among Western and Arab critics, and the difference between it and symbolism, and then we touched on its employment with the poet Nawara Lahrash, including the natural, historical, mystical, and religious symbol. So we concluded our research by talking about the aesthetics of the symbol in the poetry of Nawara Lahrash, in which we touched on talking about the modern poetic image and the musical rhythm that it added to these poetic texts | en_US |
dc.language.iso | ar | en_US |
dc.title | تشكلات الرمز في ديواف نوافذ الوجع لـ: " نوارة لحرش | en_US |
dc.type | Master | en_US |
Appears in Collections: | Faculté des Lettres et des Langues FLL |
Files in This Item:
File | Description | Size | Format | |
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مسعودي_ابتسام.pdf | 1,43 MB | Adobe PDF | View/Open |
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