Please use this identifier to cite or link to this item: http://archives.univ-biskra.dz/handle/123456789/27383
Full metadata record
DC FieldValueLanguage
dc.contributor.authorراشدة_قوادریة-
dc.date.accessioned2023-10-16T14:09:32Z-
dc.date.available2023-10-16T14:09:32Z-
dc.date.issued2023-06-18-
dc.identifier.urihttp://archives.univ-biskra.dz/handle/123456789/27383-
dc.description.abstractThis study was designed to fin dout the color image of both Abu Alaal-maarabi and Bashar Ibn Bard and how to use each of the six colors : white، black، red، yellow، green and blue، in the irpoetic images .He was very imaginative. Despite the fact that they are not sighted، they aremu chsuperior to sighted poets. This study focuse donan entrance and three chapters، where theen tranced ealtwiththe image and color، the first chapter is the color image of Al-Maari، these condis the color image of Bashar Ben Bard، and the third is a comparati vestudy between them . We find that color is one of them ostimportant elements of image building for Bashar and Al-Maari by using them to form the image on the imagination، and this study reveale dseveralac curatean dimportantas pects، namelythattheimagerevealed thehiddenasp ects، andexcelledin this field because he notes the accuracyin imag eformationen_US
dc.language.isoaren_US
dc.titleالصورة اللونية في شعر المكفوفين دراسة مقارنة بين المعري وبشار بن بردen_US
dc.typeMasteren_US
Appears in Collections:Faculté des Lettres et des Langues FLL

Files in This Item:
File Description SizeFormat 
راشدة_قوادریة.pdf1,23 MBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.