البنى الصوتية والتركيبية في قصيدة منار الدين وعروته لابن هانئ الأندلسي

Abstract

The true creative text is characterized by uniqueness, and it is distinguished from all other creative texts by features that belong to it alone. Accordingly, this study will try, with the help of stylistic means, to surround the text of Ibn Hani Al-Andalusi, which bears its emotional experience and its laudatory whiff. By tracing the most important vocal and structural structures in the comforting poem "Manar al-Din and his 'Arwat" in order to highlight the aesthetic aspects that express the psychological insides of the poet, as well as to expose his poetic discourse to reveal the phonetic, grammatical, rhetorical and semantic methods that the poet is unique to. In this research, we worked on applying a stylistic, vocal and synthetic approach in two different chapters, in order to later reach a number of conclusions, the most prominent of which is that the poet was able, with his technical prowess, to manipulate the arts of speech through the marriage of stylistic mechanisms to create synergy between the structures formed by the creative text