خطاب الثورة والتغيير لدى الشباب في الكتابات الجدارية دراسة أنثروبولوجية بمدينة تبسة

Abstract

Through an anthropological approach, we started this research from a major problem that was a methodological motivation for this experiment: What are the revolutionary and transformative connotations included in the mural writings of young people? This initiator, in addition to taking into account the nature of the subject and the field of study, made us stand on the revolutionary discourse of change and its symbolic connotations, on the other hand, the outputs of this research experience produced a shift in mural practice at the level of: carrier, discourse, style of practice, which prompted us to trace the historical phenomenon from its inception until our study, through which we concluded that discourse The mural has become the spark of the fuse and the main injector of revolutions because of the characteristics and characteristics that practice acquires that make it close to every political, cultural, social revolution... Etc. Another pitfall on which our study stopped is related to writing on the wall as a youth practice that carries symbols and connotations within a marginal public space that has the authority to influence society, this is what made us talk about a practice based on freedom of expression and preserving the anonymity of the practitioner based on methodology, tools, techniques and theoretical approaches to analyze the phenomenon and the symbolism of the revolutionary mural discourse of change - it should be noted that what was presented of revolutions trapped in symbols and wall connotations and it is not necessary to touch it in the societal reality