Rethinking African Masculinity in Chigozie Obioma’s An Orchestra of Minorities (2019)

Abstract

This thesis explores the theme of rethinking African masculinity in Chigozie Obioma's novel An Orchestra of Minorities. It investigates the portrayal of masculinity in Nigerian literature, focusing on Obioma's work. The research reviews the cultural and historical context of Nigerian literature, distinguishing between oral and written traditions. It examines gender theory, including social construction and performativity, to understand the relationship between masculinity and femininity in the novel's characters. Obioma presents diverse male characters that challenge stereotypes, subverting hegemonic masculinity and paving the way for alternative representations. The study analyzes An Orchestra of Minorities, exploring its thematic exploration of masculinity and the multi-dimensional nature of its male characters. The motif of bitter victory symbolizes the sacrifices individuals make to assert agency. This research contributes to African literature and gender studies by advocating for authentic and diverse representations of masculinity, challenging oversimplified portrayals. The novel serves as a catalyst for critical reflection and deconstructing conventional notions of masculinity. It emphasizes the complexity and diversity of African experiences, dismantling marginalizing assumptions. By empowering readers to question stereotypes, Obioma's novel fosters a more inclusive understanding of masculinity. Ultimately, An Orchestra of Minorities offers a profound exploration of masculinity, challenging societal expectations and reimagining African masculinity.