التشكيل الفَنِي في ديوانِ علية بنت المَهدي

Abstract

History has always told us about women in its folds, about their role in all walks of life, and perhaps the most beautiful stories that history brought us… Women's stories with literature, so tell us about women and the novel, and tell us about women and the story, and tell us about women and their days with the worlds of literature, but the most beautiful What history brought us about women is her days with poetry . This research came with an explicit desire to trace the life of women with poetry, and since women has occupied history, we thought that we should shed light on a specific corner of its pillars, and this corner was meant by a woman from the Abbasid era, who is Aliya bint Al Mahdi, the sister of the Caliph Harun Al Rasheed. Therefore, this research divided its pages into two chapters, preceded by an introduction and followed by an entrance. As for the introduction, we understood what the introduction should surround, and the entrance came with a talk about the era in which the poetess lived. As for the first chapter, we talked about the poetic purposes in which Alaya wrote her poetry, and we cited from each purpose a few examples, so that the first chapter comes talking about the artistic formation in her poetry, and in it we penetrated into the artistic structure of her poems, desiring to seek the manifestations of beauty and creativity that characterized her than others . This chapter is concerned with the three pillars of artistic formation (image, rhythm, poem structure), and in it we looked at the pictorial aspect of Aliyah, then the nature of her music, and finally the structure of her poem, before we conclude the conversation with a summary that includes the most important results that we gleaned from this work