العنونة في الكتابة السردية النسوية الجزائرية عائشة بنور أنموذجا

Abstract

Studies modernism have seen pays great attention to parallel texts Or what is known as the textual thresholds surrounding the text From: (title, cover, dedication, export...), and considered them an important key to approaching the literary text, so the critical interest turned to research in its aesthetics and the semiotic lesson sought to investigate its semantic loads and invest them in revealing semantics. The text, this is what made it gain importance no less than the importance of the main text, but its reading became coupled with reading those elements, and perhaps the most attention and study threshold (the title threshold), which was given great attention by authors and critics, as its presence at the head of any text is no longer a mere formal existence. Not only, it has become a textual sign that is reductive and semantically intense, referring a hint or a statement to the textual body. It has also become an exciting creative material that engages in seduction and provokes the reading sense. The writers have noticed the role played by the title in illuminating the text and helping the recipient understand its connotations, so they worked hard to formulate it to fulfill the role assigned to it, and the writer "Aisha Bennour" is one of the Algerian writers who paid attention to the thresholds, especially the "title", so she gave it importance and was very keen on weaving titles She works to confuse the recipient’s mind, provokes him, and moves him with the motive of research, so he rushes towards work, all of which is a desire to reveal its secrets. It also strives to harness all its capabilities to produce titles that suit the tastes of the public and the needs of the literary scene, so it dives deep into the depths of its society and draws stark titles with its issues, reducing the suffering of women and their psychological world to achieve this. Permanence and eternity for its business.