الكتابة والاختلاف في "رواية النخاس" لـ "صلاح الدين بوجاه

Abstract

Writing in general and "creative writing" in particular represent a comprehensive and renewed vision of all aspects of life that occur in the existential consciousness of the human selfbeing. It is a disclosure and visualization of the visions, ideas and knowledge inherited, and immortalized in what is called the "written impact"; Writing is an aesthetic practice that begins with engraving, drawing, and sculpture. Writing is an attempt to search, investigate and question the value of existence / the being of a creative person in light of cultural and social transformations _And the successive political and economic and marked by comprehensive global transformations that began to expand to warn of congruence and transcendental centrality that will cancel everything that man believed in since the late historical eras, and this is under the name of its basis is the fixation of a single cultural model, which is the rejection of the difference / disparity / hetero /, and the centralization of the ego / The self / identity, and this is what called modern and postmodern thought (thought of difference) to attempts to demolish it and dismantle it into its self-centered structures / inflated / transcendental ego, and this is done through the technique of "thought of difference", which will be the spur that undermined the visions of philosophy, starting with Plato until Heidegger, and made it the new "writing voice" with which philosophy will become a different reality and parallel to all humanity, no matter how many its views and ideas, and the different forms of its cultures, This is what we tried to embody in our deconstruction approach to the cognitive, cultural, literary, and civilized structures in the novel "slaver" by the late novelist Salah El- Din Bujah, who embodied the two themes of writing/difference through the main character/self-writer (the slaver writer Taj El-Din Farhat) and his written belongings, starting with " The multiple "book" monuments (his supposed narration, which can be confirmed to be the narration of the slave trades attributed to him by the writer Salah al-Din Bujah and his frank admission that he was its original author, his various manuscripts such as "A Message in the World", "Innovated in the news of the masses and the individual"; His writing practices related to the art of Warraq, which he embodied through the margins and footnotes that he included for the collection of his manuscripts). The theme of "difference" It was embodied through three hypostases, namely: "the Mediterranean difference, the gender difference, and the Nationalistic difference", which came together to raise questions: The semantic “dialogue / conflict” between the ego (Taj al-Din Farhat, the writer of the Tunisian, Maghreb, Arab, Islamic, oriental ◌ٍ slaver) and the other (Gabrilo Cavinali, the Italian / Romanian / European / Western boat captain). Cultural coexistence between the two shores of the Mediterranean (North / South) by drawing on the multiplicity of Nationalistic centers (Tunisia / Egypt / Andalusia (Spain) Italy / Morocco / Algeria /) that take us back to the first centuries of communication with us and the cultural between them, which It extended over centuries to reach the medieval era and continued until now in what is known as the unifying civilization for all the peoples of the region, despite the disagreement between them, which formed the Mediterranean Sea / the Roman Sea / the Roman lake and its radiation. _ The racial heterogeneity presented by the novel through the comprehensive ethnic multiplicity of the two shores of the Mediterranean, which embodied the multiple human types of thought, religion and culture