شعرية شعر التفعيلة الجزائري (1980-2000)

Abstract

Poetics is the essence of the literary industry. It is an ancient term that has its origins in Aristotle through his presentation of the concept of imitation, and a modern one because it took a form of science that devolops and renews from one era to another.This is what earned it mercurialism and abstention ; and the intractability of detection ,which made it a fertile material for discussion in the field of contemprory critical and literary studies.The coloration of poetry with many concepts and terminology is evidence of the momentum and richnesss of the critical term ,and the most prominent of its terms are : literature science ,poetics , poetry theory poetry art,and rhyming art. This does not contradict the confinement of poetics in a general concept under what is called the search for the laws that govern the literary text, whether it is poetry or prose . Poetics shares its liberation and coloration of the poetry of activation, which refused to be content with the system of poetic intention, as it took the nucleus of activation from which it is formed, by passing the stereotypical form.The Algerian poem witnessed a revolution in terms of form and content, just like its counterpart in the Arab East .Poetry scooped up art, thought, heritage and cinema, and provided it with what it needed to advance itself, which was thirsty for the element of uniqueness and distinction transcending all boundaries. So, the title of the research was tagged with the poetics of Algerian verbal poetry (1980-2000) an attempt by us to delve into poetics and - 87 - investigate its methods and practices on the text of the Algerian poem with a stylistic approach, in addition to combining some approaches to serve the semiotic research. Verbal poetry was established, and itwas followed by three chapters, all of which are concerned with the procedural side more than the theoritical. In the end, the outcome of the research and its most important results were collected in a conclusion. The first chapter dealt with the levels of poetics in the poetic text, based on the level of language through the poetic lexicon, in which we touched on the most important semantic fields such as the complex of nature, the lexicon of homeland, the lexicon of death. As for the linguistic lexicon, we limited it to the language of antagonism, paradox, colloquial language, and others .For the second level, he explained the types of poetic image from the correspond of the senses. And the mental image, the foreword-lookingview, and other types of images, and the last level is represented in the poetic rhythmic structure through the external and internal rhythm, and to stand on the most important creative features that formed the Algerian poetics. As for the second chapter, it dealt with most important thresholds and accompaniment of the poetic text, as the threshold of the title, the threshold of dedication, the foreword and other aspects of the poetic text .Also ,the research in this chapter tended to study the most important poetics suitable for the text such as the poetics intertextuality, the poetics of place and the poetics of colors. As for the third chapter, it was determined by the meaning of poetry between ideology and the extent to which poetry transcends plastic and cinematic arts, as well as the extent to which poetry benefits from ideology and its formats as a science of ideas, and how the poet formulated ideological and difficult ideas in a poetic style that was implemented to the ears of readers of differnt levels.